Ghanaian musician Kelvyn Boy has expressed regret over taking sides in the country's music industry, particularly during his time with Stonebwoy and the Bhim Nation camp. He admitted that loyalty to Stonebwoy influenced some of his comments about other artistes and their camps. Kelvyn Boy reflected on the rivalries that surrounded the Bhim Nation camp and acknowledged that being part of a particular camp shaped his views and responses to industry tensions.

Speaking on Hitz FM, Kelvyn Boy said he sometimes made comments about other camps out of loyalty rather than personal convictions. He now feels bad about taking sides, having learnt that artistes may have differences but share the same industry and should coexist. This newfound understanding has led Kelvyn Boy to reevaluate his past actions and comments.

Kelvyn Boy recalled meeting artistes he had previously been involved in disputes with and realising that personal relationships were different from rivalries created around fan bases and camps. Some artistes he interacted with were welcoming and supportive, making him question why he had allowed industry divisions to influence his actions and comments.

Kelvyn Boy criticised the culture of comparing artistes and encouraging fans to choose sides, describing it as unhealthy for Ghanaian music. He argued that music lovers can support their favourite artistes without attacking others, noting that such behaviour creates unnecessary divisions among musicians.

The 'Down Flat' hitmaker believes that various camps and fan bases within Ghanaian music should move away from unnecessary rivalry and allow artistes to build relationships and support one another. He cited instances where artistes like Stonebwoy, Shatta Wale, and Sarkodie perform on the same stage, and fans should appreciate each artiste without turning the occasion into a competition.

Kelvyn Boy's change of heart is a significant development in the Ghanaian music industry, where divisions and rivalries have often been fueled by fan bases and camps. His comments may spark a conversation about the need for unity and cooperation among artistes, despite their differences.

Ultimately, Kelvyn Boy's regret over taking sides serves as a reminder that loyalty and conviction should not be mutually exclusive. As the Ghanaian music industry continues to evolve, Kelvyn Boy's comments may inspire a shift towards a more harmonious and supportive environment for artistes.

Key points

  • Kelvyn Boy regrets taking sides in Ghanaian music industry feuds driven by loyalty.
  • He criticises the culture of comparing artistes and encouraging fans to choose sides.
  • Kelvyn Boy advocates for unity and cooperation among Ghanaian artistes.

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SaharaWire Newsroom
SaharaWire

Reporting for SaharaWire from the Nairobi bureau.