The second day of the October International Theatre Festival (OTF) in Eswatini has highlighted the significant challenge of securing funding for theatre producers across Southern Africa. Mongezi Mabunda, Producer and Managing Director of TX Theatre in South Africa, addressed this issue during a workshop on theatre administration and production at Yini Loku in Eswatini. The session explored the common challenges faced by producers in South Africa and Eswatini.
According to Mabunda, acquiring funds is the main obstacle for producers, and this problem is universal in the creative industry. He noted that limited resources constrain artists in Eswatini, making it difficult for them to pay actors, musicians, and directors. Without financial backing, productions stall, and artistic visions remain unrealised. Mabunda's observations echo a long-standing concern within the creative economy.
Mabunda emphasised that funding is not a luxury but a necessity for sustainable theatre. Once funding is secured, everything else falls into place, enabling producers to stage performances, host events, and execute projects with greater confidence and continuity. His message was clear: if the region is to see its theatre industry thrive, financial support must be treated as a starting point, not an afterthought.
The OTF has hosted various masterclasses, including an acting workshop at the Theatre Club, proudly sponsored by Genesis Ekucaleni Media. These sessions aim to equip artists with the skills and knowledge needed to succeed in the competitive theatre industry. The festival provides a platform for artists to network, share ideas, and learn from industry experts.
The challenge of securing funding is not unique to Eswatini or South Africa. Many countries in Southern Africa face similar challenges, and it is essential to address this issue to promote the growth of the theatre industry. Mabunda's insights have sparked crucial conversations around arts investment and the need for sustainable funding models.
The October International Theatre Festival continues to inspire and educate artists, with various sessions and workshops planned throughout the event. The festival's organisers aim to create a supportive environment for artists to grow and develop their skills. By addressing the challenges faced by theatre producers, the festival hopes to contribute to the long-term sustainability of the industry.
As the festival comes to a close, Mabunda's key takeaway – that funding is essential for sustainable theatre – will likely resonate with artists and producers. The industry must come together to address this challenge and find innovative solutions to ensure the continued growth and development of theatre in Southern Africa.
Key points
- Funding remains the biggest hurdle for theatre producers in Southern Africa.
- Limited resources constrain artists in Eswatini, making it difficult for them to produce high-quality work.
- Securing funding is essential for sustainable theatre development in the region.
